The Dog Days of Reading: August ’24 Recap

It’s hard to believe another month has gone by, but it’s already (past) time for my August reading recap! (And I didn’t even read a single Star Wars book!) Each month I write a mini review of every book I read the previous month, whether it was speculative fiction or not. If you missed last month’s mini reviews, you can find July’s reading cap here.

This post contains affiliate links to Bookshop.org, an online bookstore that financially supports independent bookstores. If you buy from my links, I will receive a small commission at no extra cost to you.

A square graphic that says "Spec Fic" at the top and "August 2024" at the bottom. It has a nebula background and shows the covers for All Systems Red and A Natural History of Dragons.

All Systems Red by Martha Wells

I first read Murderbot on a family trip to Cape Cod last October (you can see some of the bookstores I visited there in this post), but wanted to reread the first book before continuing the series. As you can see from the lack of other Murderbot novellas on this list, I got a little bit distracted this month. Whoops! My ADHD should not be taken as commentary on the quality of All Systems Red, which is a fantastic book. Murderbot has my whole heart.

A Natural History of Dragons by Marie Brennan

A fun, and funny, book about a woman who wants to study dragons but cannot because of her gender. Of course she winds up doing so anyway, and is brilliant at it. A friend recommended this series to me, and I quickly fell in love with Isabella. She’s scrappy, determined, and smart as hell. I can’t wait to read the second book in the series once my Libby hold comes in!

A square graphic that says "Comics" at the top and "August 2024" at the bottom. It has a nebula background and shows the covers for Gideon Falls and The Hunger and the Dusk.

Gideon Falls Deluxe Volumes One and Two by Jeff Lemire, Andrea Sorrentino, and Dave Stewart

Jeff Lemire’s Gideon Falls offers nearly 800 pages of mind-bending horror based around a mysterious black barn that appears and disappears seemingly at random. The story takes a few unexpected twists but has a satisfying—if somewhat open—ending. Sorrentino’s art creates the perfect atmosphere for this creepy tale. His use of nontraditional panels, particularly toward the end of the series, draws readers right into the chaos and confusion. (Bookshop.org unfortunately doesn’t carry the deluxe volume one anymore, but they do still carry the trade paperbacks.)

The Hunger and the Dusk by G. Willow Wilson and Chris Wildgoose

The Hunger and the Dusk offers a fresh take on familiar fantasy tropes with high stakes and compelling, complex characters who are forced again and again to make uncomfortable choices between their own desires and saving the world. Read my full review here.

A square graphic that says "Books" at the top and "August 2024" at the bottom. It has a nebula background and shows the covers for Luster, How We Can Win, and Why We Read.

Luster by Raven Leilani

What a gorgeous novel! Leilani’s prose has teeth. Although the book is light on traditional plot, it reads like a thriller. The relationships in this book are so fraught that I found myself holding my breath more than once, waiting to see what would happen next.  If you love beautiful sentences and deep character building, this one’s for you.

How We Can Win by Kimberley Jones

This is an accessible and concise book about white supremacy in America. The first two thirds clearly connect the problems facing modern Black Americans to this country’s historical treatment of them. The final third gets a little more self-helpy by offering up advice in key areas of life, and ends with clear calls to action for both Black and white people to work towards the end of white supremacy.

Why We Read by Shannon Reed

Based on the “we” in the title, I wasn’t expecting this to be a straight-up memoir. While I did relate to many of the reasons why “we” read, some of the chapters fell flat for me. Reed never takes herself too seriously, but her glib tone was a turnoff at times. I did enjoy the chapters that focused on libraries, and appreciated that you could really feel the author’s love for them radiating off the page. I’d still recommend this book, but with the caveat that it focuses on one person’s experience with books and reading, not reading and readers more generally as the title implies.

Comic Book Review: The Hunger and the Dusk

The Hunger and the Dusk, written by G. Willow Wilson and illustrated by Chris Wildgoose, is a high fantasy comic series tinted with horror. I’ve been reading this one monthly since its debut in July 2023, and it’s been a highlight of my pull list. Clearly, this review is long overdue! 

Volume one collects the first six issues, and there’s a lot of ground to cover! The first story arc ended on a cliffhanger, but thankfully the first issue of book two came out last month. I’m not going to cover that in this review, but I’m sure I’ll be yelling about the series as issues come out over on Threads

This post contains affiliate links to Bookshop.org, an online bookstore that financially supports independent bookstores.

The Hunger and the Dusk: A Spoiler-Free Overview

Issues 1 and 2 of The Hunger and The Dusk laying on a square piece of paper that looks like pink marble.

When vicious, mysterious raiders known as the Vangol return to the dying world they left behind hundreds of years ago, humans and orcs must form an alliance to fight the invaders before it’s too late for both races. Overcoming centuries of fighting and racism is no small task, though. A tenuous treaty is all that keeps orcs and humans from slaughtering each other over increasingly small amounts of fertile land. 

As part of the treaty, the orcs send one of their best healers, Gruakhtar Icemane—Tara to her friends—to travel with the mercenary group Last Men Standing. Led by Cal Battlechild, the Last Men set off to face the Vangol with their new member.

Tara and Cal form an uneasy, tentative friendship. When a surprise Vangol attack leaves one of the Last Men dead, both Tara and Cal blame themselves. They begin to open up to each other, hinting at a possible future romance. 

But the Last Men don’t have long before they catch a Vangol scout scoping out their camp. The discovery of the scout sets off a chain of events that test Tara and Cal’s burgeoning relationship, along with the entire treaty.

All the while, the Vangol creep further inland, threatening annihilation of humans and orcs alike. . .

If Only Things Were Simple

Issues 3 and 4 of The Hunger and The Dusk laying on a square piece of paper that looks like pink marble.

The Hunger and the Dusk primarily follows Tara’s point of view, with some scenes following her cousin Troth. (Tara and Troth were supposed to marry until he unexpectedly became overlord of the Icemane clan). Stories with orc points of view are becoming more common, and while a greater discussion of the rehabilitation/reclamation of the orc image is beyond the scope of this review, I greatly enjoy the way Wilson and Wildgoose handle it.

While we do have scenes of the humans of Last Men Standing starting to deal with their own implicit biases (the bard realizes he has to write all new songs because all the ones he knows trash talk the orcs), the story sticks pretty close to Tara’s and Troth’s points of views.

These orcs are not vicious, mindless violence machines as they are often portrayed in high fantasy. Tara, in fact, is quite the opposite with her powerful healing ability. Her cousin Troth is portrayed as a wise, strong leader who is forced to make personal sacrifices for the good of his people. Troth’s new bride, Faran, is whip-smart and invested in peace between humans and orcs.

Some of the best scenes in the book show Troth and Faran getting to know each other. Their interactions are tender and real, even though their marriage begins as a political one. (I also appreciate that we see Faran initiating sex—Troth clearly respects her boundaries.)

The Vangol

Issues 5 and 6 of The Hunger and The Dusk laying on a square piece of paper that looks like pink marble.

I’d be remiss to write a review of The Hunger and the Dusk without dedicating some time to the villains. The Vangol are quick, sneaky, and deadly. The first scene in issue one establishes that everyone is terrified of them. 

Gaunt and pale with elongated torsos and limbs, the Vangol remind me somewhat of the vampires from 30 Days of Night. They carry the same sense of quick-moving, unavoidable dread. Indeed, the book’s title derives from the Vangol’s tendency to attack at dusk.

The first six issues of the comic give us more questions than answers when it comes to these ghoul-like people. All we know is that at some point in the distant past, they lived on the same continent as humans, orcs, dwarves, and elves. The Vangol left, and the dwarves and elves died out (thought not necessarily in that order). No one knows why they’ve returned, but it seems it may have something to do with the land slowly dying. 

The sense of mystery surrounding the Vangol, along with their uncanny appearance and demonstrated viciousness, makes them a compelling antagonist. They are an existential threat to both groups in the truest sense of the word. If humans and orcs fail to stop the Vangol, they will join the dwarves and elves in extinction.

The Hunger and the Dusk One-Sentence Review

The Hunger and the Dusk offers a fresh take on familiar fantasy tropes with high stakes and compelling, complex characters who are forced again and again to make uncomfortable choices between their own desires and saving the world. 

It’s Summer and the Reading’s Fine: July Recap

The main reason I started this blog was to have another outlet to talk about the books I’m reading. As much as I’d love to write a full review for every book I read, it’s not logistically possible for me. But that doesn’t mean those books aren’t worth reading or talking about!

That’s where these monthly recap posts will come in. Each month, I’m going to briefly talk about every book I read the previous month, whether they’re speculative fiction or not!

This post contains affiliate links to Bookshop.org, an online bookstore that financially supports independent bookstores. If you buy from my links, I will receive a small commission at no extra cost to you.

A square graphic that says "July Spec Fic" and has cover images for Dooku: Jedi Lost, This Is How You Lose the Time War, Girl, Serpent, Thorn, and Temptation of the Force.

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

A beautifully written, intricate love story that unfolds across time and space. The conceit of the “time war” is complex, and the authors are economical with their worldbuilding. While I don’t think that’s a negative, it certainly invites a second reading.

Girl, Serpent, Thorn by Melissa Bashardoust

The publisher describes this book as a “feminist fairy tale,” and in many ways it does feel like the spiritual offspring of Angela Carter’s The Bloody Chamber. I loved the Persia-inspired setting and mythology. The main character’s story arc felt fresh even as it drew on familiar symbols and tropes.

Star Wars: The High Republic: Temptation of the Force by Tessa Gratton

Although this book only came out in June, I’ve already read it twice. It’s a manifesto on love of all kinds: romantic, platonic, familial. If you like Star Wars but aren’t yet reading The High Republic, I encourage you to pick up the first book in the series: Light of the Jedi by Charles Soule. Thank me later!

Star Wars: Dooku: Jedi Lost by Cavan Scott

I run a Star Wars book club, and this was our pick for July. It’s an audio drama that provides some backstory on why Count Dooku left the Jedi Order and eventually turned to the dark side. My favorite parts of this one were Asajj Ventress sleuthing to learn more about her new master and the interesting Force lore Scott adds to the canon (some of which shows up in The High Republic!).

A square graphic that says "July Comics" and has cover images for Descender, Ascender, Sweet Tooth, and the Underwater Welder.

Descender (reread) and Ascender by Jeff Lemire and Dustin Ngyugen

Like all good stories about robots, this is really a story about humanity—and what happens when we lose sight of what binds us together. Ngyugen’s watercolor art on these two books is breathtakingly gorgeous, and I love the mix of science fiction and fantasy elements.

Sweet Tooth by Jeff Lemire

In a post-apocalyptic world where a deadly sickness is killing humans, an animal-human hybrid named Gus may hold the key to a cure. As Gus’s story unfolds, he gathers a motley crew of humans and hybrids around him, including the gruff and abrasive former NHL player Jepperd. This found family has to overcome their past traumas and survive long enough to reclaim some slice of happiness.

The Underwater Welder by Jeff Lemire

This graphic novel feels closer in tone to Lemire’s breakout book Essex County than his more overtly speculative books like Descender or Sweet Tooth. Like Essex County, it does a deep dive into one character’s emotional state using elements of magical realism to explore the pressure of impending fatherhood and the many ways the past hangs over us. 

A square graphic that says "July Books" and has cover images for Beach Read, Squeeze Me, and Lifelines.

Beach Read by Emily Henry

A fun, breezy book that has a lot to say about writing and why we do it, and lots to say about love, too. My favorite parts were when the two main characters discussed their respective novel genres and why they felt drawn to writing them. I also enjoyed how writing in each other’s genres helped them understand each other better—as a writer myself, I felt seen in these scenes.

Squeeze Me by Carl Hiaasen

A funny, irreverent romp of a mystery set in Palm Beach, Florida, during the Trump presidency. I had no idea this was part of a series, though you don’t need to have read any previous books to enjoy this one. If you happen to be a Warren Zevon fan like I am, you’ll find two Zevon lyrics sprinkled in. I’ll leave you to discover what and where they are.

Lifelines: A Doctor’s Journey in the Fight for Public Health by Leana Wen

Overall, an interesting look at the role public health organizations play in our lives. The middle felt too much like a political campaign message in parts, but the first and final thirds of the book were fascinating. Before reading this, I never thought much about the role of my city’s public health department in keeping residents healthy and happy. Now I have a whole new appreciation for them!

Two Indie Bookstores that Focus on Speculative Fiction

Happy Independent Bookstore Day! I’m celebrating by supporting two stores that focus on speculative fiction: Sistah SciFi and Mysterious Galaxy.

In recent years, my local stores have grown their SFF sections, but there’s nothing quite like the depth and breadth of a store that focuses only on spec fic. Unfortunately for me, both of these shops are located on the west coast (I’m on the east). But fortunately for all of us, both offer many virtual events and ways to be involved from both near and far.

Sistah SciFi

Sistah SciFi is an online bookstore that promotes speculative fiction by Black and Indigenous women authors. I found their fantastic Instagram account while bopping around one day, and was impressed by their selection. Both their Instagram account and website are great resources for discovering new and classic books by Black and Indigenous women. Watch out, because your TBR pile might topple over with all the added books you’re going to stack on top!

The store also hosts a number of events and virtual book clubs, including one for comics and graphic novels! And did I mention they also have a book vending machine?! Located in the Oaklandia Cafe x Bakery in Oakland, California, the book vending machine carries a rotating selection of titles for children and adults.

Support Sistah SciFi on Indie Bookstore Day by making a purchase, following them on social media, and/or telling your friends about them!

Mysterious Galaxy

While I’ve never had the pleasure of visiting Mysterious Galaxy in person at their San Diego shop, I have been to their booth in at least one convention (Star Wars Celebration Anaheim 2022, to be precise). I’ve also attended a few of their virtual events and purchased signed books from them.

Each month, they offer a book subscription box for SFF and cozy mystery books that includes titles, bookmarks, and other goodies curated by or made by their booksellers! I think including art from their booksellers in the form of bookmarks is a really nice touch.

But if you, like me, have an ever-growing pile of books to read and the thought of a new mystery book each month triggers your existential dread over the fact that you will never be able to read all the books—and what if you miss a really, really good one?—be sure to peruse the store’s robust staff picks page. It might still contain more books than you can read in a year, but at least you can more purposefully prioritize your next read that way.

Support Mysterious Galaxy on Indie Bookstore Day by making a purchase, following them on social media, and/or telling your friends about them!

Do you have a favorite independent bookstore that focuses on speculative fiction? I’d love to hear about it! Send me a tweet (and tag the bookstore!) or Instagram comment or DM so I can feature your fave in a future post.

Review: Shirtless Bear Fighter is the most delightfully ridiculous comic ever

A few years ago, in the pre-pandemic times, I was watching hockey at a friend’s house when one of the books in his comic stack caught my eye: Shirtless Bear-Fighter! by Jody Lehup, Sebastian Girner, Nill Vendrell, and Mike Spicer.

The cover depicts a shirtless man in raggedy pants with exaggerated masculine features (seriously, his feet are huge, and so is his beard). I paged through and saw that this was, yes indeed, a comic about a man who fights bears while decidedly not wearing any clothes (his junk is pixelated, though, so no need to worry about your puny senses being overwhelmed by his manliness). What an odd delight!

I’ve been feeling kinda down lately and wanted a pick-me-up, so: Enter, once again, Shirtless Bear-Fighter!. This book is a little difficult to review because it’s, well… You’ll see what I mean. My reviews do contain affiliate links to Bookshop.org, an online bookstore that financially supports local independent bookstores.


The Book Witch’s One Sentence Review

Shirtless Bear-Fighter is an absolutely hilarious, utterly delightful comic that skewers masculine tropes by rocketing them past the point of no return and stripping them of all power through the healing nature of comedy.


The Story of Shirtless

Shirtless Bear-Fighter tells the story of a man named Shirtless, who was raised by bears in a lush mountain forest. The bears betrayed him when they killed his lover, and after that he vowed to fight every bear.

Now, enraged bears are attacking major cities across the US, and the FBI calls in Shirtless to handle the problem. In the process he discovers that past events weren’t what they seemed and uncovers a plot by a greedy toilet-paper-company logger to turn the whole forest into TP.

Along the way Shirtless has to deal with multiple betrayals, bears high on magic bacon, and the fact that he probably definitely has a thing for Silva, the female FBI agent.

The creative team (Jody Leheup, Sebastian GirnerNil Vendrell, and Mike Spicer) do not take anything seriously. Shirtless is a hyperbole of our culture’s idea of what men should be, and that’s exactly what gets him into trouble.

The issue of Shirtless’s dead lover reveals the cavalier way men treat women and highlights exactly why that is terrible and we should maybe stop doing that right now. Silva is not hyper-sexualized and proves herself to be smart and resourceful. Without her, Shirtless would fail his mission to save the forest.

So, here’s a comic that takes the most exaggerated masculine tropes and handles them in a subtle, brilliant, hilarious way. And even better, it will make you laugh out loud over and over again.


Key Shirtless Bear-Fighter Takeaways

  1. WHAT IS THIS COMIC I DON’T EVEN KNOW
  2. BUT IT’S REALLY FUCKING FUNNY
  3. “Bear” is not limited to the large omnivorous mammal
  4. There are a lot of toilet paper and poop jokes (WHICH ARE HILARIOUS)
  5. The whole thing can be read as a fable about environmentalism and toxic masculinity
  6. ALSO IT’S REALLY FUCKING FUNNY
  7. Magic bacon.


What books or comics do you turn to when you need a pick me up? Let me know in the comments or on Instagram or Twitter @bookwitchblog!

Comic Review: Inkblot by Emma Kubert and Rusty Gladd

This week’s review covers the first collected volume of the comic Inkblot, by Emma Kubert and Rusty Gladd, published by Image Comics. This post contains affiliate links to Bookshop.org, an online bookstore that financially supports local independent bookstores.

Inkblot Volume 1 collects the first six issues of this ongoing series about a librarian sorceress and the magical cat she accidentally conjures. 

The six issues of Inkblot that are collected into Inkblot vol. 1.

The Book Witch’s One Sentence Review

A funny, whimsical fantasy that takes readers on a journey through space and time with a curious, magical black cat at the helm.


Inkblot by Emma Kubert and Rusty Gladd

It all begins as the librarian sorceress, known only as The Seeker or Bookworm, is recording the exploits of her extremely powerful sorcerer siblings. She falls asleep while she’s working and knocks over a number of bottles of ink and other things. After the dust settles, as it were, a little black cat with big round green eyes appears.

A panel from Inkblot showing The Seeker conjuring the Cat.

The Seeker quickly learns that this cat can open inter-dimensional portals when she chases the cat into the Mountain Lands and they almost get eaten by giants. While the kitty in question has no official name or gender, I’m going to refer to them as Inkblot since it’s also the name of the comic.

Although the cat is magical, their only utterance is “mow,” issued with varying inflections and degrees of emphasis. As the story progresses, The Seeker chases Inkblot in several unsuccessful attempts to catch and study them.

The first few issues remain fairly lighthearted as the cat causes mischief by climbing dragons and riding the Loch Ness monster, and we meet a few of The Seeker’s siblings and the Realms they rule.

Toward the end, things take a turn for the serious as we learn more about The Seeker’s past and her youngest brother, Inos. I don’t want to spoil anything, but I am very much looking forward to seeing how the story progresses in future volumes.


The Art of Inkblot

Emma Kubert and Rusty Gladd’s process for creating Inkblot is not the typical writer/artist dynamic. Rather, Kubert draws everything out, Gladd inks it, Kubert colors it, and then Gladd adds dialogue and captions. I like how their creative process echoes the back and forth between The Seeker and Inkblot the cat.

The Seeker attempts to catch Inkblot.

The art is whimsical, but also features bold lines. The color palette is somewhat restrained but not boring—it works well for the mystical fantasy setting. Kubert and Gladd excel at creating exaggerated facial expressions that work well for the comical tone without crossing over into the land of hyperbole or satire.

Inkblot’s only discernible facial features are their big green eyes, but they also use their ears to communicate how they’re feeling to great effect. 

The black cat was what drew me to this comic in the first place: I adopted a black cat in November 2019. And just like Inkblot, if she’s not in the exact right lighting, the only facial feature you can make out is her big yellow eyes.


Not Your Typical Black Cat

The black-cat-as-witch’s-familiar trope has been explored and then explored some more, and I love the concept of the black-cat-as-witch’s-foil that turns many of the original trope’s conventions on their head.

The inside front cover of Inkblot features a silhouette of the cat behind the credits. The back cover of each issue features an inkblot with eyes.

Rather than working together for a common goal, Inkblot and The Seeker are always at odds. Inkblot is a quintessential cat: They go where they want, when they want, and they do what they want regardless of what’s going on around them. Inkblot’s antics had me laughing out loud in delight more than once.

The Seeker tries to catch Inkblot, but Inkblot always eludes her grasp. This game of cat-and-sorceress also provides an excellent overview of the world of the comic, as Inkblot travels to different realms and time periods in history.

Inkblot Volume 1 serves as an excellent introduction to the series. It has humor, heart, solid world-building, interesting characters, and beautiful, eye-catching art. The story takes a few issues/chapters to take shape, but with a cat leading the way, who can complain? The meandering pace works well for the characters and story, and invites the reader to sit and stay for a while.


For more great comics featuring felines, check out my “Comics and Graphic Novels Featuring Cats” booklist over at Bookshop.org! Have you read Inkblot? What did you think? Let me know in the comments, or on Twitter @bookwitchblog!

Review: The Sandman Audio Adaptation

This week’s review tackles the audio adaptation of Neil Gaiman’s The Sandman! This post contains affiliate links to Bookshop.org, an online bookstore that financially supports local independent bookstores.

The Absolute Sandman volume 1 on a starry background, with an eReader playing the Sandman audio book on top of it.

The Book Witch’s One Sentence Review

Audible’s audio adaption of The Sandman by Neil Gaiman is a brilliantly acted immersive take on the classic comic series that will please longtime fans and help bring this amazing story to a whole new audience.


The Sandman Audio Adaptation Review

How do you create an audio drama from a graphic novel?

Dirk Maggs makes it look pitifully easy in his full-cast audio adaptation of Neil Gaiman’s The Sandman that more than does justice to the original comic.

As a long-time fan of Gaiman’s groundbreaking series, I was a tad apprehensive about how good an audiobook adaptation would be. Not because I’m a format purist or don’t like audio, but because I’ve been burned too many times by bad, cash-grabby comic book adaptations. 

Sandman is important to me, and I was afraid the audiobook would be bad.

I needn’t have worried. While the audiobook version of Sandman is, of course, different in a number of ways from the comic, it stays true to the story while adding something new at the same time. The brilliant voice acting adds tone and depth to each character, and the added narration (performed by Neil Gaiman himself), fills in most of the gaps caused by the lack of visual material. 

A page from the Doll's House on a starry background with paper stars.

It’s the same story, same impact, just in a different format. I, for one, am thrilled that one of my all-time favorite books is now available to more folks.

Those who’ve read and enjoyed the comic will appreciate the nuance this new telling adds to the story, while those who’ve never read the comic are in for an auditory and narrative treat.


This Adaptation Has Beautiful Voice Acting and Excellent Production

James McAvoy’s Morpheus is brooding and dark against Kat Denning’s chipper Death, while Justin Vivian Bond’s Desire is perfectly petulant and petty. I didn’t love Andy Serkis as Matthew the raven at first, but he grew on me and I’m curious to see how he’ll handle certain pivotal scenes in later books.

In short, the voice cast is spot on, and everyone nails their characters. It was insanely easy to close my eyes and feel like I was in the Dreaming.

This first volume of the audio drama (parts 2 and 3 have already been greenlit by Audible) covers the first three trade collections of the comic: Preludes & Nocturnes, The Doll’s House, and Dream Country. It maintains the original “chapter” breaks of the individual issues, and these are announced verbally, echoing the print reading experience.

An interior shot of the last page of Sandman issue 8, on a starry background with paper origami stars.

I was particularly curious how they would handle A Midsummer Night’s Dream, a storyline at the end of Dream Country in which Morpheus brings the fae to England to watch a play he commissioned from a young William Shakespeare. It’s one of the most visually complex issues of the comic, and relies heavily on paneling and framing to tell a story-within-the-story. It also has a rather large cast of characters: Shakespeare, his son, his players, Titania, Oberon, Puck, and a whole menagerie of fae who serve as the peanut gallery throughout the issue.

For the audio, they use sound layering and background/foreground speaking to give the same impression and experience, and it worked really well. Again, Gaiman’s narration also helps here, but I thought Maggs did an excellent job recreating the complex visual effects in this format. 


Itty Bitty Nitpicks

The only places I thought the audio drama failed to live up to the comic were a few scenes with The Corinthian. I loved Riz Ahmed’s portrayal of this eye-eating nightmare, but the narration on a few of his scenes left me with less than a full picture of what was happening with his victims. I also don’t think the horror of seeing mouths for eyes the first time Corninthian takes off his glasses translates quite as well to audio, but again, this is a minor complaint.

Unfortunately, The Sandman audio drama is an Audible exclusive, but you can purchase an MP3 CD through Bookshop. Generally speaking, I don’t like purchasing books through Amazon, and the same goes for audio. 

Amazon isn’t going away anytime soon, though, so I’ve had to make a sort of peace with it, especially in cases like this where there’s no other option. Still, I encourage audiobook readers to check out Libro.fm, an alternative that directly supports independent bookstores!

And if you’d like to purchase any of The Sandman graphic novels, you can always do so through your favorite indie bookstore or Bookshop.org! I’ve compiled a handy list of the series and its main offshoots over at my Bookshop storefront.